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That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve Studio. Blackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows customers to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether users are shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions.
All Control, Monitoring and Recording Built In
The Pocket Cinema Camera 4K has a dual native ISO, meaning there are two ISOs where noise is at its minimum. At 1,250 ISO, the camera jumps to the low noise range of the native 3,200 ISO setting. It doesn’t eliminate noise at higher ISOs, but it does buy another stop or two of usable ISO before noise is an issue in the image. We saw noise start at ISO 400 and was acceptable all the way up to ISO 6400.
Post Production Friendly File Formats!
As we looked through each menu, we found that the controls were somewhat simplified compared to many cameras we have worked with. For instance, the Camera Settings section lets you set the name of your camera, the time and date, the ISO sensitivity (four settings), the white balance (six settings), and the shutter angle. Overall, the design is simple, yet elegant, and shows off Blackmagic Design’s ability to cram a lot of power and features into such a small package. Now it is time to see how the Blackmagic Pocket Cinema Camera performed in real life. Blackmagic Cinema Camera 6K features a massive full frame sensor with a native resolution of 6048 x 4032.
Blackmagic Pocket Cinema Camera 6K G2
The EVF is extremely easy to connect to the Blackmagic Cinema Camera 6K as it simply mounts on top of the camera with a single screw. The viewfinder has a 70 degree swivel range and comes with 4 different types of eyecups for both left and right eyes. The Pocket Cinema Cameras feature dual gain ISO up to 25,600, which means they're optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.
Large Format Cinematic Digital Film Sensor!
If you are a cinematographer working in a traditional workflow, the BMPCC 6K G2 is a great choice that gets better if you’re invested in the Blackmagic ecosystem and own other cameras in the company’s line. For those using a hard drive, it’s possible to plug a device into a workstation and edit that footage directly. Unlike modern autofocus systems, the BMPCC only focuses on the center of the frame, and there are no points to move around to select a subject elsewhere. The result is a system better used in manual focus, with autofocus only to help jump to a starting point.
Blackmagic Pocket Cinema Camera 6K G2 review: Pro-grade cinema camera without the high price tag - Popular Photography
Blackmagic Pocket Cinema Camera 6K G2 review: Pro-grade cinema camera without the high price tag.
Posted: Wed, 19 Jul 2023 07:00:00 GMT [source]
The Color Of Light
For indoor clips, to retain the industrial aesthetic of the shoot, detail in the windows were purposely blown out during color grading. The elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips.
The battery grip allows three batteries to be loaded which is a big help, although still not likely enough to get through a day of shooting. You are therefore faced with purchasing an ample supply of the petite standard batteries and chargers or adding something big and chunky like a battery base or v-mount solution. I found the footage captured pleasing to the eye, smooth, and organic looking.
Home to the Studio
The 12-40mm f/2.8, the 7-14mm f/2.8 and the 25mm f/1.2 all cost under $1,300. These gave us the full frame equivalent of a 23-76mm f/2.8, 13-27mm f/2.8 and 48mm f/1.2 prime. That’s a very usable range of top-notch lenses at an affordable price point. Regardless, if you need to shoot for hours in 4K RAW, expect to shell out more for media than you did for the camera.That’s where having ProRes is handy.
Optional Viewfinder for Professional Shooting
ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT. Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. With similar goals to its standalone Ninja monitors/recorders, the Phone Ninja connects a camera's HDMI out to a compatible iPhone for live view, recording, live streaming and file transfer. Popular photo sharing service Photobucket recently revealed that the 13 billion images it hosts online could be used to train AI models. We explain what changes made this possible and suggest some cloud storage alternatives to keep your data private.
You can say it would increase the cost, but I'm sure that a hinge would increase the price less than buying an extenal monitor. Due to 3, above, the camera operator and director will often be different people. A director can just as easily view footage from the side as the rear. And there will often be a larger display on the camera or on set anyway. It’s not a run-and-gun kind of camera but a tool for carefully prepared shots from a tripod, gimbal, or drone. So it doesn’t matter much that it can’t be controlled from the shoulder.
The new ATEM Mini makes it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Skype! Simply connect Pocket Cinema Cameras to ATEM Mini for dramatically better quality images. There's even a DVE that allows picture in picture effects plus lots of video effects and transitions. All ATEM Mini models have USB that works like a webcam so you can use any streaming software while the ATEM Mini Pro model adds live streaming via Ethernet and recording to USB disks. The Pocket Cinema Camera works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder. And if you want to record RAW, you still have to attach BM Video Assist. I still see a MAJOR selling point adding a hinge to the screen as is, at the cost of $1-200 (can't imagine being more...). I like how the announcement says the product will likely have much worse shutter performance than a sony product. ‘Mountain Bike’ is Joey’s test of the camera’s high speed performance.
The best option though is the ability to plug in a drive over USB-C and record directly to that, making importing and managing files much more accessible. This is not a feature unique to Blackmagic, but it is nice to have and allows you to bypass buying multiple expensive media cards in lieu of one reasonably priced multi-purpose external SSD. The BMPCC 6K G2 does record internal gyroscope data that the Resolve editing suite can use for post-processing stabilization, but that comes with a caveat. Feeling optimistic, we drove to the local university campus and started assembling our gear. With all the attached bells and whistles, it was amusing to note that the smallest object mounted to the tripod was the Blackmagic Pocket Cinema Camera itself! We walked around the campus, looking for areas of high contrast that would stress the capabilities of the sensor.
That means customers can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. Blackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production.
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